The Looking Glass (Photos)

Sirius XM Music Lounge/UMF Radio – W Hotel Miami

SiriusXM's "UMF Radio" Broadcasts Live From The SiriusXM Music Lounge At The W Hotel In Miami

Read more...

SiriusXM's "UMF Radio" Broadcasts Live From The SiriusXM Music Lounge At The W Hotel In Miami

Just wanted to share a few photos from my friends over at SiriusXM. They held several massive gatherings at the W Hotel this past weekend for UMF, and even created a little history. Calvin Harris closed out Thursday and brought out a special guest- DJ Afrojack! This is the first time they have ever played back to back, and they made sure to leave the crowd with some special extras, including new music.

SiriusXM's "UMF Radio" Broadcasts Live From The SiriusXM Music Lounge At The W Hotel In Miami

It was one nonstop party after another, with performances and interviews from Krewella, Armin van Buuren, Steve Aoki, and R3Hab (just to name a few).

SiriusXM's "UMF Radio" Broadcasts Live From The SiriusXM Music Lounge At The W Hotel In Miami

Sirius even set up UMF Radio to broadcast everything live to suscribers. Check out the Facebook page HERE and several of the interviews HERE

164235121-1024x702

Now that this year of madness is over, we can only wait patiently until UMF 2014 (assuming the city of Miami doesn't throw another hissy fit). For now, keep raging! And make sure to check in with SiriusXM Electric Area on their site for more fun things to come.

Photo Credit: Gustavo Caballero

 

DxE Exclusive Interview with Cold Blank — Review & Photos from Control @ Avalon 8/3

Cold_Blank_1

Read more...


On Friday Aug 3rd, Avalon held yet another epic Control Avalon, displaying a bass pounding line up including Los Angeles natives Cold Blank, Mr. Whiite, Messinian, and dub-step veteran Rusk. The Hollywood crowd was out early to make sure they had no delays on their entrance into the Avalon venue. Some attendees dressed to impress, while others had their official "Wake The Fuck Up" t-shirts and  "stunnas" with no lenses. As 10:30pm hit, Cold Blank made their way to the stage with a sold out crowd anxiously waiting for the next banger to drop. I was blown away by the transitions from dub-step, to electro as the duo dropped such tracks as "Firestorm" by Far too loud, Cold blanks own "Los Angeles", and their new addictive remix to Cyprus Hill,  Rusko & Damian Marley's "Cant Keep Me Down". Christopher Gaspar and Manny Luquin, the members that make up Cold Blank caught my attention with their harmony with one another, mixing together as one unit. We later caught up with the duo for an official Death By Electro interview with Cold Blank.

DxE: Being Los Angeles natives how did it feel performing in front of a home crowd?

CB: We can feel the magic juice flowing through us like moonlight through the ghost dance. We don't play in LA very often, but when we do, we drink Stella Tall Cans. It's cool because our fan base is the biggest here in LA and we really feel the love when we see familiar faces and see the crowd reactions to our new material.

DxE: What do you guys like to do on your free time when you get back into town?

C: Sushi, bar hopping, more sushi, more bar hopping, and good times with good company.

M: Catch up on my DVR'd shows, getting King Taco 'cause you can only get in LA.

C: Oh yeah, can't forget about all the LA food spots like In-N-Out.

DxE: You recently released an incredible album, "The Agenda" on Burn The Fire Records, can you take us through the process of the production of the album?

CB: Yeah! Each track has its own unique elements but they always have the swag-hound bass lines;  there's usually a dominant bassline in our tracks. Generally, we put together a hard-hitting compilation of tracks all themed toward the reptilian agenda. However, some tracks also carry influence from past experiences including partying in illegal warehouses, touring in other countries, and playing tons of raves back in the day.

DxE: What programs do you use for producing music? Any favorite synths or sounds?

CB: Ableton Live 8. Yeah tons of favorite synths & sounds. We use V-Station, Sylenth 1, Massive, Predator, Vanguard, Nexus, and really rinse the distorted buzz square sound. Distorted massive basslines and 8-bit video game sounding leads are definitely the way to go.

DxE: How did Cold Blank form?

CB: We were both badass individuals who partied in the same scene back in 2006 in different parts of LA, basically wherever the party was. We eventually started chatting on Myspace in 2007 & founded Burn The Fire together in 2008, hosting parties & eventually self-releasing the music we began creating together shortly thereafter.

DxE: How do you feel about the rapid growth in EDM and its influence on other genres of music today?

M: It's amazing that artists like Skrillex are paving the road for EDM producers worldwide, winning grammy's and collaborating with Kanye West. David Guetta's Titanium already went platinum. It's crazy considering how easy it is to download free music.

C: It's mind-blowing to me because I was somewhat teased for liking electronic/dance music in high school. It's awesome when I look back and my friends tell me that I was ahead of the curve. We both were, and it's why we started working together.

DxE: Who are your musical influences, past and present?

C: Daft Punk, Mellowdrone, Queen, The Rapture, The Faint, Wolfgang Gartner, Moving Units, Calvin Harris, Crystal Castles, Boys Noize

M: Nine Inch Nails, Underground Construction (Hard House), Mstrkrft, Justice, Deadmau5, also Wolfgang Gartner, and select 80's hits.

DxE: What were your favorite tracks to produce and why?

C: My favorite was our remix of Joachim Garraud's Atrium. It's not out yet, but it's definitely my favorite track out of all of our productions. I really dig the surprise drop and love the structure, it's very futuristic and anthem-ish. We had been wanting to produce big room electro for a while, and combining tribal/tech house elements really topped it off for me.

M: Mine was our remix of Cypress x Rusko's Here From Day One feat. Damien Marley. It was our first time exploring the bpm of 110. It's awesome to receive a remix opportunity from from one of the producers that got me into Dubstep. Also Cypress Hill, 'cause I always wanted to be a rock superstar, live large, big house, five cars, ya' know! d:)

DxE: What would you like to say to all the Cold Blank fans out there?

CB: You guys gotta step it up and help us blow up more. Spread the word bitches. We've produced tracks for you guys for years, and what do you have to show for it?! Nah just kidding, we love our fans and we're grateful for their continuous, ongoing, and unconditional support in any direction we've gone in. They keep us going for sure, and without the support of our fans (Facebook/twitter friends included), we would not be where we are today. They define us and we love them. Thanks for the support lil chickens!

 

 

DxE Exclusive Interview with The Bloody Beetroots

Bloody Beetroots HARD

Read more...

Fresh off the main stage domination at Tomorrowland in Belgium, Sir Bob Cornlieus Rifo aka The Bloody Beetroots, and his cohort Tommy Tea, took to yet another main stage this past weekend at the HARD Summer Music Festival in Downtown LA. Playing before a packed house, the duo had the crowd going from beginning to end, opening with their new hit single "Rocksteady" and closing out their set with the ever-famous "Warp 1.9." Just hours before taking the stage, we had the utmost honor of sitting down with Sir Bob himself getting the inside scoop on all things Beetroots -

DxE: What was it like headlining the mainstage last weekend at Tomorrowland?

BB: Absolutely insane. It was our first time there so that helped. It was actually a bit over the top, almost to much in a good way!

DxE: You recently began going back to the Beetroots DJ Set after touring with Death Crew 77. Was that just a short-lived project or will we see it again?

BB: Well the name Bloody Beetroots refers to lots of different projects. We have the DJ Set, Church of Noise, photography, etc. It's constantly evolving, keeping all the world updated year by year. Now it's even more different than before, it's definitely more of a DJ show at the moment. I am starting to finally talk to people in the DJ world too and make friendships and create relationships.

DxE: Tell us about the new single "Rocksteady" - what was the process behind it and how did you find the artists to produce remixes?

BB: The process behind making tracks is really random. Sometimes I go back home and have the title ready which actually was the case with "Rocksteady." The name reminds me of a variety of styles of songs. For the remixes though, this was the first time after "Church Of Noise" where I was trying to get different beats from other guys. In this new direction we're moving, there is a definite need for other people and their input in order to complete the wide spectrum of electronic sounds we want to achieve.

DxE: What is it about a HARD event that makes you want to come back and play the next one?

BB: I really like Gary [Richards], we have the same way of thinking. We quickly became good friends and it's a great pleasure to be here.

DxE: What can we expect next from you and the Beetroots name?

BB: There's a new single coming out at the end of September which I'm very excited about. It's very cool, different to "Rocksteady" -- still hard in a way, but sweeter too. Then another single around Christmas time and probably a new album around January/February. The new album is full of collaborations with crazy names (the artists I'm work with not the track titles), though more from an older sounding scene scene musically speaking (not electronic). Bringing old stuff to the new future with electronic beats.

 

 

One of my personal favorite moments during their set was them dropping the Tommy Trash remix of John Dahlback's "One Last Ride." Not a track I would have expected from the hard-hitting Beetroots but an absolute banger nonetheless.

The Looking Glass: Chris Lake at Supperclub LA

Read more...

Another epic night with our favorite production crew sounds of ibiza. Photography of the event by Cojare. 
Be sure to check their site and this blog for upcoming events. 

The Looking Glass: Bingo Players At Playhouse Hollywood

Read more...

Bingo Players had one of their most epic performances this night at Playhouse Hollywood. Thanks to their awesome team we got unrestricted access to bring you our photos from the night. Make sure to check out our exclusive interview with these two awesome DJs right here.

Escape From Wonderland Wrap-Up

Read more...

Halloween weekend 2011, Insomniac held Escape From Wonderland - its first ever Halloween inspired event at their famous playgrounds the NOS Event Center in San Bernadino. With the falling apart of the competing Monster Massive, tickets to Escape were sold out weeks prior to the event. Insomniac was amazing and kind enough to hook Death by Electro up with a couple media passes as myself and compadre Jordan ventured off into the rabbit hole for what was one hell of a night...
After retrieving our passes from an off site location, the two of us pulled into the lot just as the sun was setting and the lights were slowly flickering on. The plan was to enter with enough time a couple of the earlier sets, but with confusion of where to enter and multiple walks around the event center (only negative part of the night), we got in right around 7 pm and headed directly over to the "Ghoul's Graveyard" to catch the set of the legend Andre Tanneberger, better known as ATB hearing just a glimpse of Thomas Gold's massive set from the "Slaughter House" along the way.
Before even going into the music, the tent itself was absolutely insane. Insomniac really did an awesome job with decorating even the inside of the stages, as there were ghosts and other ghouls hanging from the ceiling. The set itself was also quite the spectacle. Dropping his classics early in the set, most notably the ever-famous "Ecstasy" as his second track and then into new classics such as Arty and Mat Zo's "Rebound" ultimately ending with a live singing performance of "What About Us," Andre's set in my opinion, was one for the ages. One of the things I gotta say about ATB is that he really seems to have his audiences feeding off his energy as with every track and every drop, he'd be jumping and on the mic getting everybody fired up.
Before jumping back up to hear his closing, Jordan and I ventured back behind the graveyard tent in anticipation for the Dimitri Vegas & Like Mike who were about to take the stage next. We actually got a chance to catch up with the Thivaois brothers, chatting some about their tour and what we should expect with their set. But lemme tell you... there was nothing, and I mean absolutely nothing, they could have been said that would have prepared anyone for the epicness that ensued. With only a 45 minute set, one would think that their options would have been at least slightly limited with what they could get done in such a short period of time but this could not have been any more wrong. The Belgian duo threw down what was by far my favorite set of the night, opening it up with Jacob Van Hage's "Convoi," then transitioning and mixing flawlessly from banger to banger with the crowd going absolutely ape shit. One attendee close up to the stage was awesome enough to record the first part of their set, so we can all relive the amazingness even if we we didn't catch it live.
After finally leaving the "Ghoul's Graveyard" for the first time the entire night, we took a little tour of the grounds and, as I mentioned before, Insomniac really did go above and beyond (if only that could've been a relatable pun...) in creating a design, atmosphere, and overall feeling of a Halloween-inspired event. The "Breakabout Woods" where people could sit and gaze at various statues, the lake in the middle being covered in fog, and even the haunted mansion that was quite the maze to get through all came together in the best kind of way so that no matter where you were within NOS, you were constantly stuck far deep down the rabbit hole.
Cruising around from stage to stage, caught a little bit Sub Focus' set until ending up at "Mad Hatter's Hospital," where we ended up sticking around for most of Moguai's set. Gotta say, one of the highlights of my night personally was hearing him drop Thomas Gold's remix of his own "We Want Your Soul" which has become one of the most recognizable songs out there (even if most people don't actually know the name of the track).
As the Moguai set progressed, you could feel the crowd growing larger and louder in what was anticipation for the every popular Dash Berlin. Before he even took the stage, the crowd went absolutely NUTS with their "Dash Berlin, Dash Berlin" lo and behold the man did not disappoint. Mixing in some of the newer, less trancy tracks to begin, he got the crowd going only to eventually unleash the ever famous Dash originals and remixes that EDM fans around the world have fallen in love with. One thing I've always been impressed by with Dash (this being my 5th time seeing him), is that he's always very interactive with the crowd -- whether it be with his iPad sending messages or even walking across the stage tossing out t-shirts and signed memorabilia, he truly seems to be having just as much fun on stage as those in the crowd did witnessing his prowess.
As much fun and excitement as we were having with all those tronces, we realized the clock was about to strike midnight and almost completely forgot about Le Italiano Benny Benassi who had been rocking the "Size Matters Slaughter House" since 10 pm. Booked it over there as quick as the crowd would let us and couldn't have arrived at a better time. First off, props to Benny for being probably the only performer sporting a Halloween costume as he rocked the Superman fit and cape. Just as we arrived before the closing of his set, we were lucky enough to witness this...
He had the crowd going absolutely INSANE as he dropped the crowd favorite Skrillex remix of "Cinema." When walking out from the madhouse Slaughter House, we could hear him closing out his set with another crowd favorite -- J. Rabbit's dubstep remix of "Satisfaction."
With dubstep fresh in our minds, we decided to head over to one of the last 2 stages we had yet to visit -- "The Chopping Block." Got there about half way through Pendulum's set and even with a DJ set, those guys still know how to tear the roof of a place. The bass was so loud you could almost feel the rafters about ready to fall to the ground as they went from banger to banger, nonstop energy flowing through the entire crowd. Now that they've branched off, I gotta say one of the acts I'm most excited of catching in the near future is that of Knife Party, the side project of 2 members of Pendulum. (If you haven't heard the song "Internet Friends," you should probably put this reading on pause and peep this). Right afterwards, one of the biggest names in the dubstep business stepped up to the stage -- Borgore. Right from the start, he had everyone doing their own version of that dance people call dubstep and even as we were leaving, caught a hint of him dropping the Knife Party remix of "Crush On You."
As most rave-goers do, we ended up heading back over to the Slaughter House to catch Mr. Steve Angello but not before making a quick stop for a little leftover tronce as Markus Schulz had Ghoul's Graveyard packed from front to back. 'Twas really interesting to see the difference in both the crowd and atmosphere from the beginning of the night as the Graveyard shifted from a more electro scene into the melodic, euphoric trance beats.
Finally arriving at Angello's set, you could just tell how amazing his set was -- every person in the crowd either had their hands up, over their hands, or all over someone else (in a good way, of course). The Swede did an awesome job playing the Swedish House Mafia classics as always, but also mixing and mashing in a variety of songs with those that we've becoming accustomed to hearing. The set all culminated in 4 of the most favorite and best songs of 2011 as he went from the mashup of Alesso's "Pressure" and Coldplay's "Fix You," into Dirty South's "Walking Alone," followed by both the original and Knife Party remix of "Save The World," and finally into a bootleg of "Fade Into Darkness" with "You've Got The Love." Not quite sure how to put it into words, but it kinda looked like this...
All in all, Escape was hands down one of the best events I've ever attended, especially of the Halloween variety. The lines getting in weren't too hectic, there was plenty of room for people to dance and/or sit, and the overall decor and atmosphere of the NOS Event Center was like I had never witnessed before. A really really huge big ups to Insomniac for proving why they are the best in the business with yet another amazing and successful event!
The scene at the end with all the cars leaving was in and of itself quite the experience, as fans of every EDM genre blasted their favorite tunes in one big collaboration as the cars slowly filed out.

In case you missed out on the Spooky madness, or even if you just wanna relive your favorite sets, here are the ones we were able to get a hold of from the night:
We also snapped a whole bunch of pics, which can be viewed from our Facebook page ("LIKE" us if you haven't already!!)

This Saturday Presented By Death By Electro

Read more...


This Saturday November 5th, Join us at The Central Bar in Santa Monica for a night of great music presented by Death by Electro™ [Electronic Music Blog]. Did we mention FREE entry? Also, we're celebrating our contributor Alejandro's birthday! See you there, and if not you'll be able to see pictures soon via 'The Looking Glass'

Information



//FREE ENTRY//

Featuring..

Beach Life Kings
Latest tracks by beachlifekings

http://beachlifekings.com/
http://soundcloud.com/beachlifekingshlifekings

SUMMRDJ w/ Coby Linder (of Say Anything) DJ/Drum set
Latest tracks by SUMMRDJ http://soundcloud.com/summrdj
http://www.youtube.com/watch?v=69s6losLaFU

Brett Miller
http://www.djbrettmiller.com/

-----------------------------------------
-----------------------------------------

The Central Los Angeles

1348 14th Street

Santa Monica, CA

http://www.centralsapc.com/

Death by Electro™ [Electronic Music Blog]
http://www.DeathByElectro.com/

For More Info Visit: http://www.centralsapc.com/show/detail/52302

John Dahlback Presented by Death By Electro

Death By Electro pulled it together again with Sounds of Ibiza Productions for an epic night at the Supperclub in Hollywood. First up was David Dann with a special preview into his new album Wristbands & Alcohol (video). The energy got wild as the swedish DJ, John Dahlback, took over the CDJ's. He played epic electro house, bangers one after the other, non-stop. As a new means of connecting with you users we are including a new feature in our blog: The Looking Glass. It will provide you with a unique look into the events we host and attend. Tonight was photographed yours truly, Cojare.

THE LOOKING GLASS
(Full Size Gallery Here)
(for full-size prints contact here)


-::[Cojare]::-